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Zierde Grotesk Font



Free typefaces help reduce costs for your design projects. They are a budget-friendly option, especially for small businesses, independent designers, or students.

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Trial and Rapid Iteration: Using free typefaces allows you to quickly iterate and experiment with different fonts in your design projects. This helps you find the font that best meets the needs of your project and improves your design.

Community Contribution: Many free fonts are created and shared by independent designers or communities. This contributes to the sharing nature of the design community and increases accessibility to knowledge and resources in the design world.

Easy Access: Free fonts are often easily accessible on the internet. You can find and start using the desired font with just a few clicks online.

However, there are some points to consider when using free typefaces. For example, it is important to carefully review the font's license terms and determine usage permissions. Additionally, if your project requires a professional and corporate image, opting for paid and licensed fonts may be more appropriate.

The importance of font selection in graphic design works is significant because choosing the right font can determine the impact and communication power of the design. Here are some points highlighting the importance of font in graphic design:



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FONT NAME:

Zierde Grotesk Font Free Download

DESCRIPTION:

Zierde is a take on early advertising, small-copy grotesks of the late 19th/early 20th century, and is largely inspired by Miller & Richard’s own range of Grotesques. More importantly, Zierde is accompanied by a large set of ornaments (+200) which hark back to the look-and-feel of the early-modernist arts and crafts movement. The ornaments in, and presentation of, Zierde owe much credit to J.G Schelter & Giesecke’s 1913 type specimen book ‘Die Zierde’. The strong functional uppercase sans-serifs alongside luscious, beautiful patterns in ‘Die Zierde’ make for beautiful combinations. This early-modernist use of grotesk alongside ornament looks bizarre in the eyes of us used to seeing sans-serifs in more formal, sterile settings. The face itself retains some historical flourishes such as the eccentric leaning angle of the italics, the long cross-bar on the ‘G’, the gammy-leg of the ‘R’, a strange ampersand and some irregular terminals across the weights. Zierde is display face meant for headlines, titles, short-copy, labels and logos. It comes in caps and small caps, Latin and Cyrillic.

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